Wedding dress, 1934
Charles James, born 1906 – died 1978
Miss Baba Beaton wore this dress when she married Mr Alec Hambro on 6 November 1934. It is an early example of the work of the designer Charles James. It anticipates later developments in his style, particularly his approach to complex cut. The beauty of the design lies in its deceptive simplicity and the designer’s complete understanding of the potential of the fabric.
Darts and seams shape the smooth ivory satin, which clings and drapes around the body in order to enhance the graceful figure. James said, ‘all my seams have meaning – they emphasise something about the body’.
Circumference: 66 cm waist, Circumference: 84 cm bust, Circumference: 68 cm diaphragm, Length: 150 cm overall, Length: 40 cm to waist, Width: 40 cm centre back, Width: 42 cm shoulder to shoulder, Length: 62 cm sleeve, over, Length: 52 cm sleeve, under, Circumference: 80 cm hips, Circumference: 18 cm wrist
Silk satin, trimmed with wax orange-blossom, cut on the bias
Although he was born in Britain, James worked as a milliner and custom dressmaker in New York between 1924 and 1929. In 1929 he opened premises in London. During the early 1930s he travelled extensively between London and Paris, establishing a Paris branch in 1934. Like Elsa Schiaparelli he was a friend of the Surrealist painter Salvador Dalí and made use of Surrealist influences in his designs.
Here are some creative projects that inspire me in Victoria and Albert Museum Archive. You can see other projects on my Pinterest or on my #ThrowbackFashion.
Vogue – September 1939
By: Horst P. Horst (American/German, 1906–1999)
Horst P. Horst reveals a strikingly sexy pose in this photograph, which appeared in the September 15, 1939, Vogue. Seen from behind, a model sits on a wooden bench, looking down through her arms. She wears a back-lacing corset by Detolle for Mainbocher. Horst treats her body like a living sculpture, and this piece is as much a figure study as an image of a quotidian bit of lingerie.
Horst P. Horst (American/German, 1906–1999) started gaining acclaim in the pages of British Vogue fashion photography in the early 1930s, after meeting photographer Cecil Beaton (British, 1904–1980). The elegance in which Horst captured his subjects made him influential among a generation of photographers, including Bruce Weber (American, b.1946). A photographer for Coco Chanel for over three decades, Horst was strongly supported by members of the fashion community, including the prominent fashion editor Diana Vreeland. In addition to his fashion shots and portraiture, Horst photographed landscapes, architectural interiors, and still lifes throughout his career. Embraced by the art world, Horst began exhibiting his work in significant art galleries as early as 1932, and continued throughout his career. In 1989, Horst received the Lifetime Achievement Award of The Council of Fashion Designers of America, and in 1996, the Master of Photography Award from ICP, New York. His has been exhibited at the Fortuny Palace, Venice (1989), the Louvre, Paris (1991), the Museum Ludwig Cologne (1992), the National Portrait Gallery, London (2001), and The Victoria and Albert Museum, London (2007).
Here are some creative projects that inspire me in Condé Nast Collection. You can see other projects on my Pinterest or on my #ThrowbackFashion.
Here are some creative projects that inspire me in The Metropolitan Museum of Art – The Costume Institute’s Collection. You can see other projects on my Pinterest or on my #ThrowbackFashion.
Date: late 1940s–early 1950s
Dimensions: L at CB: 49 in. (124.5 cm)
Continue reading “#ThrowbackFashion Coat 1949 by Elsa Schiaparelli @eschiaparelli (Italian, 1890–1973)”
Du 14 au 24 mars prochaines, Montréal en flamme encore une fois sous les projections des 248 films sur l’art. Cette 31e édition du Festival international du film sur l’art promet de ravir tous les amateurs d’art. Autres que les films, les festivaliers auront droit à des événements spéciaux, tels que des expositions, des performances, des installations, des tables rondes, des hommages et des classes de maîtres, en compagnie des créateurs et spécialistes invités.
Après journée de lecture et de visionnement des bandes-annonces (la programmation complète), nous avons sélectionné 9 films à voir absolument lors de cette édition.
Continue reading “#ArtMTL #ArtFIFA 9 films à voir absolument lors de cette 31e @ArtFIFA”